
\K ( HANl)L,EBo 



A\ O U. ! 



LIBRARY OF CONGRESS. 

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UNITED STATES OF AMERICA. 



SWALLOW FLIGHTS. 




Swallow Flights. 



NEW EDITION OF "POEMS," PUBLISHED IN 
1877, WITH TEN ADDITIONAL POEMS. 



BY 
LOUISE CHANDLER MOULTON, 

AUTHOR OF "IN THE GARDEN OF DREAMS," ETC. 



Short swallow-flights of song, that dip 
Their wings in tears, and skim away. 

Lord Tennyson. 



BOSTON: 

ROBERTS BROTHERS 

1892. 



C APR 7 



"TSa+4-a 
.<?« 



Copyright, 1892, 
By Roberts Brothers. 



©toitersttg Press: 
John Wilson and Son, Cambridge, U.S.A. 



T\EAR eyes, that read these lilies of mine 
As you have read my heart, 
Forgive, since you the one divine, 
The others' 1 lack of art. 





lilt 




CONTENTS. 



PAGE 

Swallow-Flights u 



May-Flowers , i 



3 



My Summer It ^ 

Morning Glory 17 

A Painted Fan • 19 

Long is the. Way 21 

Automne 22 

i — -Out in the Snow ....-.• 24 

A Weed 26 

A Quest 28 

Some Day or Other 31 

Through a Window 32 

Waiting 34 

Wife to Husband ...... 36 

After the Mountains 38 

.- Alone by the Bay 40 

—-Midsummer in New England 42 



8 CONTENTS. 

PAGE 

At Etretat 44 

The House of Death 46 

" She was Won in an Idle Day " 49 

A Life's Loss 51 

The Singer 55 

How Long ? 58 

The Song of a Summer 60 

If 62 

Fiat Justitia 64 

At the Last 66 

What she said in her Tomb 68 

A Summer's Ghost 70 

Lover and Friend hast Thou put far from me . . 72 

^Beauty for Ashes 74 

To my Heart 76 

Alien Waters 78 

Looking Back 81 

A Problem S3 

At a Window 85 

To a Lady in a Picture 87 

My Captive 88 

Roses 9 1 

Down the River 93 

Love's Land 95 



CONTENTS. 9 

PAGE 

Her Window ................ 96 

A Madrigal 97 

Question 99 

i fain would go ioi 

The Spring is Late • . . 103 

Selfish Prayer i°5 

For me Alone 107 

Ad Te Domine 109 

If I could Keep Her so -.no 

Annie's Daughter 113 

Looking into the Well 116 

Like a Child 120 

A Song in the Wood 123 

My Boy 125 

Trothplight 129 

The House in the Meadow 132 

From Dusk to Dawn 137 

There 140 

Somebody's Child 142 

A Woman's Waiting 144 

John A. Andrew 149 

The Country of " If" 151 

For Cupid Dead ............... 152 

We lay us down to Sleep 154 



IO 



CONTENTS. 



Sonnets: 

PAGE 

The New Day 159 

One Dread .......... 160 

Afar 161 

Last Year 162 

First Love 164 

Love's Forgiveness 165 

In Time to come 166 

A Summer's Growth ... 167 

My Birthday ............... 168 




S WALL O W-FLIGHTS. 

T^ORTH from the wind-swept Country of my Heart, 

Fly fast, swift wings ! 
For hence the summers and their suns depart, — 
Here no bird sings. 

With spring this country was all verdurous 

When first you came ; 
Lts leafage of sweet songs solicitous; 

Lts shies aflame 

With dreaming of the summer s warm delights ; 

Streams sought the sea ; 
White moons made beautiful the waiting nights ; 
Your wings were free. 



1 2 SWALLOW-FLIGHTS. 

But here you nested through the smiling spring, — 

Through summer, too ; 
'Tis autumn now, and pleasant things take wing, 

So why not you ? 

Fly hence, and carry with you all my dreams, 

My hopes, my fears ; 
Shall I, while sitting by Life's frozen streams, 

Weep idle tears ? 

Fly hence, swift wings — / have been glad with you 

In Life's glad spring ; 
Heard summer songs, and thought their promise true ; 

But 7iow — take wing. 

You are not doves, that you should bring back leaves 

From whelming seas ; 
Fly far, swift truants, from my silent eaves, — 

Leave me but peace. 



MAY-FLOWERS. 



13 




MAY-FLOWERS. 

F you catch a breath of sweetness, 

And follow the odorous hint 
Through woods where the dead leaves rustle 
And the golden mosses glint, 

Along the spicy sea-coast, 

Over the desolate down, 
You will find the dainty May-flowers 

When you come to Plymouth town. 

Where the shy Spring tends her darlings, 

And hides them away from sight, 
Pull off the covering leaf-sprays 

And gather them, pink and white, 



1 4 MA Y-FL O WERS. 

Tinted by mystical moonlight, 
Freshened by frosty dew, 

Till the fair, transparent blossoms 
To their pure perfection grew. 

Then carry them home to your lady, 
For Flower of the Spring is she, — 

Pink and white, and dainty and slight, 
And lovely as Love can be. 

Shall they die because of her beauty ? 

Shall they live because she is sweet ? 
They will know for what they were born, 

But you — must wait at her feet. 




MY SUMMER. 



I* 



MY SUMMER. 



e^^jriO you think the summer will ever come, 
With white of lily and flush of rose, — 
With the warm, bright days of joy and June, 
So long you dream they will never close ? 



Will the birds, atilt on the bending boughs, 
Sing out their'hearts in a mad delight ; 

And the golden butterflies, sun-suffused, 
Shimmer and shine from morn till night ? 



Do you think my summer will ever come, 
With brow of lily and cheek of rose ? 

Shall I hold her fast, — my Joy, my June, — 
And dream that my day will never close ? 



i6 



MY SUMMER. 



Will she mock the birds on the bending boughs 
(For her voice is music, — my heart's delight), 

Or be content, like the butterflies, 

In the sun of my love from morn till night ? 




MORNING GLORY. 17 




MORNING GLORY. 

ARTH'S awake, 'neath the laughing skies, 
After the dewy and dreamy night, — 
Riot of roses and babel of birds, 
All the world in a whirl of delight. 



Roses smile in their white content, 
Roses blush in their crimson bliss, 

As the vagrant breezes wooing them 
Ruffle their petals with careless kiss. 

Yellow butterflies flutter and float 

Jewelled humming-birds glitter and glow, 

And scorning the ways of such idle things 
Bees flit busily to and fro. 



1 8 MORNING GLORY. 

The mocking-bird swells his anxious throat, 

Trying to be ten birds in one ; 
And the swallow twitters, and dives, and darts 

Into the azure to find the sun. 

But robin red-breast builds his house 
Singing a song of tjie joy to come, 

And the oriole trims his golden vest, 
Glad to be back in his last year's home. 

Lilies that sway on their slender stalks, 
Morning-glories that nod to the breeze, 

Bloom of blossoms and joy of birds, — 
What in the world is better than these ? 




A PAINTED FAN. 1 9 




;<m 



A PAINTED FAN. 



m OSES and butterflies snared on a fan. 
All that is left of a summer gone by ; 
Of swift, bright wings that flashed in the sun, 
And loveliest blossoms that bloomed to die ! 



By what subtle spell did ,you lure them here, 
Fixing a beauty that will not change ; 

Roses whose petals never will fall, 

Bright, swift wings that never will range ? 

Had you owned but the skill to snare as well 
The swift-winged hours that came and went, 

To prison the words that in music died, 
And fix with a spell the heart's content, 



20 A PAINTED FAN. 

Then had you been of magicians the chief ; 

And loved and lovers should bless your art, 
If you could but have painted the soul of the thing, 

Not the rose alone, but the rose's heart ! 

Flown are those days with their winged delights, 
As the odor is gone from the summer rose ; 

Yet still, whenever I wave my fan, 

The soft, south wind of memory blows. 




LONG IS THE WAY. 



21 



LONG IS THE WAY. 




ONG is the way, O Lord! 
My steps are weak : 
I listen for Thy word, — 
When wilt Thou speak? 



Must I still wander on 
'Mid noise and strife ; 

Or go as Thou hast gone, 
From life to Life? 




'yy. 



A UTOMNE. 




AUTOMNE. 

[For a Picture by Hamon.] 

H, glad and free was Love until the fall ; 
Then came a spirit on the frosty air 
To chill with icy breath the summer's bloom, 
And Love lies with the blossoms, blighted 
there. 



He throve so kindly all the summer-time, — 
Not warmer was the rose's crimson heart ; 

Dews fell to bless him, and the soft winds blew, 
And gentle rains shed tears to ease his smart. 



Through long June days and burning August noons, 
The flowers and Love stole sweetness from the sun ; 

Then summer went, — the days grew brief and cold, 
The short sweet lives of summer things were done. 



AUTOMNE. 23 

No butterfly flits through November's gloom, 
No bird-note quivers on its frosty air, — 

Sweet Love had wings, and would have flown away, 
But Autumn chilled him with the blossoms there. 




24 



OUT IN THE SNOW. 




OUT IN THE SNOW. 

HE snow and the silence came down together, 
Through the night so white and so still ; 
And young folks, housed from the bitter 
weather, — 
Housed from the storm and the chill, — 



Heard in their dreams the sleigh-bells jingle, 
Coasted the hill-sides under the moon, 

Felt their cheeks with the keen air tingle, 
Skimmed the ice with their steel-clad shoon . 

They saw the snow when they rose in the morning, 
Glittering ghost of the vanished night, 

Though the sun shone clear in the winter dawning, 
And the day with a frosty pomp was bright. 



OUT IN THE SNOW. 2$ 

Out in the clear, cold, winter weather, — 

Out in the winter air like wine, — 
Kate with her dancing scarlet feather, 

Bess with her peacock plumage fine, 

Joe and Jack with their pealing laughter, 
Frank and Tom with their gay hallo, 

And half a score of roisterers after, 
Out in the witching, wonderful snow. 

Shivering graybeards shuffle and stumble, 
Righting themselves with a frozen frown, 

Grumbling at every snowy tumble ; 

But young folks know why the snow came down. 




26 A WEED. 




A WEED. 

OW shall a little weed grow, 
That has no sun ? 
Rains fall and north winds blow, 
What shall be done ? 

Out come some little pale leaves 

At the spring's call, 
But the harsh north winds blow, 

And sad rains fall. 

Would'st try to keep it warm 

With fickle breath ? 
He must, who would give life, 

Be Lord of death. 



A WEED. 27 

Some day you forget the weed, — 

Man's thoughts are brief, — 
And your coldness steals like frost 

Through each pale leaf, 

Till the weed shrinks back to die 

On kinder sod : 
Shall a life which found no sun 

In death find God ? 




2 S A QUEST. 




A QUEST. 

LL in the summer even, 

When sea and sky were bright, 
As royally the sunset 

Went forth to meet the night, 



My Love and I were sailing 

Into the shining West, 
To find some Happy Island, 

Some Paradise of rest. 

We steered where sunset splendor 
Made golden all the shore ; 

The rocks behind its brightness 
Were cruel as before. 



A QUEST. 29 



Within the caves sang sirens ; 

But there the whirlpools be : 
Not there the Happy Islands, 

Not there the peaceful sea. 

Toward the deep mid-ocean 

Tides ran and swift winds blew : 

It must be there those Islands 
Await the longing view. 

Their shores are soft with verdure, 
Their skies for ever fair, 

And always is the fragrance 
Of blossoms on the air. 

I set our sail to seek them, 
But she, my Love, drew back : 

" Not yet ; the night is chilly, 
I fear that unknown track." 



3° A QUEST. 

So home we sailed, at twilight, 
To the familiar shore ; 

Turned from the golden glory, 
To live the old life o'er. 

We '11 make no further ventures, — 
For timid is my Love, — 

Until fresh sailing orders 
Are sent us from above. 

Then past the deep mid-ocean 
'Twixt life and life we '11 steer, 

To land on happier islands 

Than those we dreamed of here. 




SOME DAY OR OTHER. 3 1 



MS 



SOME DAY OR OTHER. 

OME day or other I shall surely come 
Where true hearts wait for me ; 
Then let me learn the language of that home 
While here on earth I be, 
Lest my poor lips for want of words be dumb 
In that High Company. 




iS 




THROUGH A WINDOW. 







THROUGH A WINDOW. 

LIE here at rest in my chamber, 
And look through the window again, 

With eyes that are changed since the old time, 
And the sting of an exquisite pain. 



Tis not much that I see for a picture, 
Through boughs that are green with the spring, 

A barn with its roof gray and mossy, 
And above it a bird on the wing ; 

Or, lifting my head a thought higher, 

Some hills and a village I know, 
And over it all the blue heaven, 

With a white cloud floating below. 



THROUGH A WINDOW. 33 

Ah ! once the roof was a prison, 

My mind and the sky were free, 
My thoughts with cne birds went flying, 

And my hopes were a heaven to me. 

Now I come from the limitless distance 
Where I followed my youth's wild will, 

Where they press the wine of delusion 
That you drink and are thirsty still ; 

And I know why the bird with the springtime 
To the gnarled old tree comes back, — 

He has tried the south and the summer, 
He has felt what the sweet things lack. 




34 



WAITING. 




WAITING. 

'M waiting for my darling, 
Here, sitting by the sea, 

Whom never any ship that sails 
Brings home again to me. 



" Oh, sailor ! have you seen her ? 

You 'd know her by her eyes, - 
So blue they are, so tender, 

So full of glad surprise." 



" Yes, I have seen your darling : 
A fair wind never fails 

To waft the good ship unto 
The shore for which she sails. 



WAITING. 35 

" King Death they call the Captain, — 

His crew a spectral band, — 
He steers with pennons flying 

Toward a far-off land. 

" No other ship goes thither, 

And back across that main, 
The passengers he carries 

He never brings again." 




WIFE TO HUSBAND. 




WIFE TO HUSBAND. 

F I am dust while thou art quick and glad, 
Bethink thee, sometimes, what good cheer 
we had, — 
What happy days beside the shining seas, 
Or by the twilight fire in careless ease, 
Reading the rhymes of some old poet lover, 
Or whispering our own love-story over. 

When thou hast mourned for me a fitting space, 

And set another in my vacant place, 

Charmed with her brightness, trusting in her truth, 

Warmed to new life by her beguiling youth, 

Be happy, dearest one, and surely know 

I would not have thee thy life's joys forego. 



WIFE TO HUSBAND. 37 

Yet think of me sometimes, where cold and still 
I lie, who once was swift to do thy will, 
Whose lips so often answered to thy kiss, 
Who dying blessed thee for that bygone bliss, — 
I pray thee do not bar my presence, quite, 
From thy new life, so full of new delight. 

I would not vex thee, waiting by thy side ; 
My shadow should not chill thy fair young bride ; 
Only bethink thee how alone I lie ! — 
To die and be forgotten were to die 
A double death ; and I deserve of thee 
Some grace of memory, fair howe'er she be. 




38 AFTER THE MOUNTAINS. 




AFTER THE MOUNTAINS. 

[To L. C. B ] 

N my dreams I see the hill-tops 

Where the cloudy pathways led, 
You and I have trod together 
In the days that now are dead. 

Still I see their shining splendors 
Height on height before me rise, 

And the radiance of their glory 
Streams across my half-shut eyes. 

In my dreams you are beside me, — 
Still I hear your tender tone, 

And your dear eyes light my darkness 
Till I am no more alone, 



AFTER THE MOUNTAINS. 39 

For with memories I am haunted, 

And the silence seems to beat 
With the music of your talking 

And the coming of your feet. 




40 



ALONE BY THE BAY. 



ALONE BY THE BAY. 




E is gone. O my heart, he is gone ; 
And the sea remains and the sky, 
And the skiffs flit in and out, 

And the white-winged yachts go by. 



The waves run purple and green, 
And the sunshine glints and glows, 

And freshly across the Bay 

The breath of the morning: blows. 



Ah, it was better last night, 

When the dark shut down on the main, 
And the phantom fleet lay still, 

And I heard the waves complain ; 



ALONE BY THE BAY. 41 

For the sadness that dwells in my heart, 
And the rune of their endless woe, — 

Their longing and void and despair, — 
Kept time in their ebb and flow. 




4 2 MIDSUMMER IN NEW ENGLAND. 



MIDSUMMER IN NEW ENGLAND. 




w 



/I 



HE royalty of midsummer is here ! 

With daisy blooms the meadow lands are 
white ; 

And over them the birds chant their delight, 
And the blue, listening heavens bend to hear. 

Within the lily's painted cup the bee 

Swings drowsily, and dreams about the rose 
He loved in June, and how her leaves repose 

Where none can find them save the winds and he. 

The trees are heavy with their wealth of green ; 
And under them the waiting maidens walk, 
And fill the idle hours with girlish talk 

Of such a knight as never girl has seen, — ■ 



MIDSUMMER IN NEW ENGLAND. 43 

How he is noble, good, and princely tall; 

And one day he will come from his far place, 
And read the blushes in his true love's face, 

And she will rise and follow at his call. 

And then I see a little painted boat, 

Its white sails set to seek the summer sea, 
And in that boat two lovers, young and free, 

With favoring winds, 'neath smiling skies afloat ; 

And all the proud midsummer's glow is come, 
And all the joy of flower and bird and bee, 
And all the deeper joy when he and she, 

Their hearts' midsummer found, with bliss are dumb. 




44 AT ETRETAT. 




AT ETRETAT. 

HE ocean beats against the stern, dumb shore 
The stormy passion of its mighty heart, — 
The sky, where no stars shine, is black above, 
And thou and I sit from the world apart. 



We two, with lives no star of hope makes bright, — 
Whom bliss forgets, and joy no longer mocks, — 

Hark to the wind's wild cry, the sea's complaint, 
And break with wind and sea against the rocks. 

Sore-wounded, hurled on the dark shore of Fate, 
We stretch out helpless hands, and cry in vain, — 

Our joy went forth, white-sailed, at dawn of day ; 
To-night is pitiless for all our pain. 



AT ETRETAT. 



45 



We are not glad of any morn to come, 

Since that winged joy we never more shall see, — 
But in the passion of the winds and waves 

Something there seems akin to thee and me. 

They call ! Shall we not go, out on that tide, 

To touch, perchance, some shore where tempests 
cease, 

Where no wind blows, and storm-torn souls forget 
Their past disasters in that utmost peace ? 




46 THE HOUSE OF DEATH. 







THE HOUSE OF DEATH. 

OT a hand has lifted the latchet 

Since she went out of the door, — 
No footstep shall cross the threshold, 
Since she can come in no more. 



There is rust upon locks and hinges, 
And mold and blight on the walls, 

And silence faints in the chambers, 
And darkness waits in the halls, — 

Waits, as all things have waited, 
Since she went, that day of spring, 

Borne in her pallid splendor, 

To dwell in the Court of the King : 



THE HOUSE OF DEATH. 47 

With lilies on brow and bosom, 

With robes of silken sheen, 
And her wonderful frozen beauty 

The lilies and silk between. 

Red roses she left behind her, 

But they died long, long ago, — 
'Twas the odorous ghost of a blossom 

That seemed through the dusk to glow. 

The garments she left mock the shadows 

With hints of womanly grace, 
And her image swims in the mirror 

That was so used to her face. 

The birds make insolent music 
Where the sunshine riots outside ; 

And the winds are merry and wanton, 
With the Summer's pomp and pride. 






4$ THE HOUSE OF DEA TH. 

But into this desolate mansion, 
Where Love has closed the door, 

Nor sunshine nor summer shall enter, 
Since she can come in no more. 




"SHE WAS WON IN AN IDLE DAY." 49 



'•'SHE WAS WON IN AN IDLE DAY." 



pjRf^^HE was won in an idle day, — 

JK|fi8' Won when the roses were red in June, 

^ And the world was set to a drowsy tune. 
Won by a lover who rode away. 

Summer things basked in the summer sun; 
Through the roses a vagrant wind 
Stole, their passionate hearts to find, 

Found them, and kissed them, and then was gone. 

Wooed by the June day's fervid breath, 
Violets opened their violet eyes, 
Gazed too long at the ardent skies, 

And swooned with the dying day. to death. 



50 "SHE WAS WON IN AN IDLE DAY." 

Nothing was earnest, and nothing was true, — 
Winds were wanton, and flowers were frail; 
And the idle lover who told his tale, 

Warmed by the June sun through and through, 

Kissed her lips as the wind the rose, — 
Kissed them for joy in the summer day, — ■ 
And then was ready to ride away 

When over the night the moon arose. 

The violets died with the day's last breath; 

The roses slept when the wind was low; 

What chanced to the butterflies, who can know? 
But she — oh, pity her — waits for death ! 




A LIFE'S LOSS. 5r 




A LIFE'S LOSS. 

you remember the summer day 

You found me down by the ruined mill ? 
The skies were blue, and the waters bright, 
And shadows glanced on the windy hill, 
And the stream moaned on. 



You sat by my side on the moss-grown log, 
Where one whom I loved last night -had stood, 

I heard his voice, like an undertone, 
While you talked to me in that solitude, 
And the stream moaned on. 

You did not tell me your heart was mine, — 
You only said that my face was fair, 

That silks and satins should robe my form, 
And jewels should flash among my hair, 
And the stream moaned on. 



5 2 A LIFE'S LOSS. 

You went away with that careless air, 

And smiled as you uttered your light good-by, 

But the wind stole down from the frowning hi-1, 
And stood at my side with a gasping sigh, 
And the stream moaned on 



You remember the pomp of our bridal morn, -~ 
The jewels that mocked the bright sunshine, 

The rustling silks, the ringing mirth, 
The flush of roses, the flow of wine, — 

While the crowd looked on. 

I saw a presence they did not see, — 

A guest whom they knew not of was there, — - 

Heart of my heart, he came to mock 
My bridal vows with his pale despair, 

And my soul moaned on. 



A LIFE'S LOSS. 

You won, that day, what you bargained for, — 

My hair to braid your jewels in, 
My form to deck with your silken robes, 

My face to show to your haughty kin, 

But my soul moaned on. 



53 



Talk not of love, — you have come too late ! 

You cannot dispel my heart's eclipse, — 
Where your image should be the dead is shrined, 

And no voice cries from the death -cold lips, 
Though my soul moans on. 

Some summer day I shall wander down 

Where the waters flow by the ruined mill, — 

Where the shadows come, and the shadows go, 
There at the foot of the windy hill, 

And the stream moans on. 



54 A LIFE'S LOSS. 

You will find me there, 'neath the whispering wave, 
Colder and stiller than ever before, — 

The dreams I dreamed and the hopes I hoped 
Will be hushed to silence for evermore, 

Though the stream moan on. 




THE SINGER. 



55 



THE SINGER. 




^ITHIN the crimson gloom 



Of that dim, shaded room 
I heard a singer sing. 



She sang of life and death, 
Of joys that end with breath, 

And joys the end doth bring; 

Of passion's bitter pain, 
And memory's tears like rain, 

Which will not cease to flow ; 



Of the deep grave's delights, 
Where through long days and nights 

They hear the green things grow, 



56 THE SINGER. 

Cool-rooted flowers, which come 
So near to that still home, 

Their ways the dead must know ; 

And shivers in the grass, 
When winds of summer pass, 

And whisper, as they go, 

Of the mad life above, 

Where men like masquers move ; 

Or are they ghosts? — who knows -?■ 

Sad ghosts who cannot die, 
And watch slow years go by 

Amid those painted shows. 

Who knows ? For on her tongue 
What never may be sung 

Seemed trembling, and we wait 



THE SINGER. 57 

1 

To catch the strain complete, 
More full, but not more sweet, 
Beyond the golden gate. 



5 8 HOW LONG? 




HOW LONG? 

F on my grave the summer grass were growing, 
Or heedless winter winds across it blowing, 
Through joyous June or desolate December, 
How long, Sweetheart, how long would you 
remember, 
How long, dear love, how long ? 



For brightest eyes would open to the summer, 
And sweetest smiles would greet the sweet new-comer, 
And on young lips grow kisses for the taking 
When all the summer buds to bloom are breaking, — 
How long, dear love, how long ? 

To that dim land where sad-eyed ghosts walk only, 
Where lips are cold, and waiting hearts are lonely, 



HOW LONG? 

I would not call you from your youth's warm blisses ; 
Fill up your glass and crown it with new kisses, — 
How long, dear love, how long ? 

Too gay, in June, you might be to regret me, 
And living lips might woo you to forget me ; 
But, ah, Sweetheart, I think you would remember 
When winds were weary in your life's December, — 
So long, dear love, so long ! 



59 




60 THE SONG OF A SUMMER. 




THE SONG OF A SUMMER. 

PLUCKED an apple from off a tree, 
Golden and rosy and fair to see, — 
The sunshine had fed it with warmth and light, 
The dews had freshened it night by night, 
And high on the topmost bough it grew, 
Where the winds of Heaven about it blew ; 
And while the mornings were soft and young 
The wild birds circled, and soared, and sung, — 
There, in the storm and calm and shine, 
It ripened and brightened, this apple of mine, 
Till the day I plucked it from off the tree, 
Golden and rosy and fair to see. 

How could I guess 'neath that daintiest rind 
That the core of sweetness I hoped to find — 



THE SONG OF A SUMMER. 6 1 

The innermost, hidden heart of the bliss, 
Which dews and winds and the sunshine's kiss 
Had tended and fostered by day and night — 
Was black with mildew, and bitter with blight ; 
Golden and rosy and fair of skin, 
Nothing but ashes and ruin within ? 
Ah, never again, with toil and pain, 
Will I strive the topmost bough to gain, — 
Though its wind-swung apples are fair to see, 
On a lower branch is the fruit for me. 



\&' 




62 IF. 




IF. 



§H|HAT had I been, lost Love, if you had loved me ? 
A woman, smiling as the smiling May, — 
As gay of heart as birds that carol gaily 

Their sweet young songs to usher in the day — 

As ardent as the skies that brood and brighten 
O'er the warm fields in summer's happy prime, — 

As tender as the veiling grace that softens 
The harshest shapes in twilight's tender time. 

Like the soft dusk I would have veiled your harshness 
With tendernesses that were not your due, — 

Your very faults had blossomed into virtues 
Had you known how to love me and be true. 



IF. 63 

It had been well for you, — for me how blessed ! 

But shall we ask the wind to blow for aye 
From one same quarter, — keep at full for ever 

The white moon smiling in a changeless sky ? 

Change is the law of wind and moon and lover, — 
And yet, 1 think, lost Love, had you been true, 

Some golden fruits had ripened for your plucking 
You will not find in gardens that are new. 




64 FIAT JUSTITIA. 




FIAT JUSTITIA. 

ES, all is ended now, for I have weighed thee, — 
Weighed the light love that has been held 
so dear, — 
Weighed word and look and smile, that have betrayed 

thee, 
The careless grace that was not worth a tear. 

Holding these scales, I marvel at the anguish 

For thing so slight that long my heart has torn, — 

For God's great sun the prisoner's eyes might languish, 
Not for a torch by some chance passer borne. 

I do not blame thee for thy heedless playing 

On the strong chords whose answer was so full, — 

Do children care, through daisied meadows straying, 
What hap befalls the blossoms that they pull ? 



FIAT JUSTITIA. 65 

Go on, gay trifler ! Take thy childish pleasure : 
On thee, for thee, may summer always shine : 

Too stern were Justice, should she seek to measure 
Thy fitful love by the strong pain of mine. 




66 AT THE LAST. 




AT THE LAST. 

OME once, just once, dear Love, when I am 
dead, — 
Ah God, I would it were this hour, to- 
night, — 
And look your last upon the frozen face 
That was to you a summer's brief delight. 



The silent lips will not entreat you then, 

Nor the eyes vex you with unwelcome tears : 

The low, sad voice will utter no complaint, 
Nor the heart tremble with its restless fears. 

I shall be still, — you will forgive me then 

For all that I have been, or failed to be, — 
Say, as you look, " Poor Heart, she loved me well; 
Will any other be so true to me ? " 



AT THE LAST. 



67 



Then bend and kiss the lips that will not speak, — 
One little kiss for all the dear, dead days, — 

Say once, "God rest her soul!" then go in peace, — 
No haunting ghost shall meet you in your ways. 




68 



WHAT SHE SAID IN HER TOMB. 



WHAT SHE SAID IN HER TOMB. 




OW, at last, I lie asleep 

Where no morrows break, — 
Why take heed to tread so soft ? 
Fear you lest I wake ? 



Time there was when I was red 

As a rose in June 
With the kisses of your lips, — 

Ah, they failed me soon. 



Now they would not warm my mouth 
Though they fell like rain : 

I am marble, dear ; and they 
Marble cannot stain. 



WHAT SHE SAID IX HER TOMB. 69 

Ah, if you had loved me more, 

Been content to wait, 
Some time you had found the key 

To Love's inmost gate. 

Why, indeed, should any man 

Wait for Autumn days, 
When the present Summer wooes 

To her rosy ways ? 

Only, — now I lie here dead ; 

I shall not awake, 
And you need not tread so soft 

For my deaf ears' sake. 



O A SUMMER'S GHOST. 



A SUMMER'S GHOST. 



Wy^^M^ tnat °^ Summer can you still recall 

The pomp wherewith the strong sun rose 
and set : 

How bright the moon shone on the shining fields, 
What wild, sweet blossoms with the dew were wet ? 

Can you still hear the merry robins sing, 
And see the brave red lilies gleam and glow, 

The waiting wealth of bloom, the reckless bees 

That woo their wild-flower loves, and sting, and go ? 

Can you still hear the w r aves that round the shore 
Broke in soft joy, and told delusive tales, — 

" We go, but we return : Love comes and goes ; 
And eyes that watch see homeward-faring sails." 



A SUMMER'S GHOST. 

" 'Twas thus in other seasons ! " Ah, may be ! 

But I forget them, and remember this, — 
A brief, warm season, and a fond, brief love, 

And cold, white Winter after bloom and bliss. 




72 LOVER AND FRIEND. 




LOVER AND FRIEND HAST THOU PUT 
FAR FROM ME. 

Psalm lxxxviii. iS. 



HEAR the soft September rain intone, 

And cheerful crickets chirping in the grass, — 

I bow my head, I, who am all alone : 
The light winds see, and shiver as they pass. 



No other thing is so bereft as I, — ■ 

The rain-drops fall, and mingle as they fall, — 
The chirping cricket knows his neighbour nigh, — 

Leaves sway responsive to the light wind's call. 

But Friend and Lover Thou hast put afar, 
And left me only Thy great, solemn sky, — 

I try to pierce beyond the farthest star 

To search Thee out, and find Thee ere I die ; 



LOVER AND FRIEND. 73 

But dim my vision is, or Thou dost hide 

Thy sacred splendour from my yearning eyes : 

Be pitiful, O God, and open wide 

To me, bereft, Thy heavenly Paradise. 

Give me one glimpse of that sweet, far off rest, — 
Then I can bear Earth's solitude again ; 

My soul, returning from that heavenly quest, 
Shall smile, triumphant, at each transient pain. 

Nor would I vex my heart with grief or strife, 
Though Friend and Lover Thou hast put afar, 

If I could see, through my worn tent of Life, 
The steadfast shining of Thy morning star. 



7 A BEAUTY FOR ASHES. 






BEAUTY FOR ASHES. 

EAUTY for ashes thou hast brought me, dear ! 

A time there was when all my soul lay waste, 

As ere the dawn the earth lies dark and drear, 

Whereto the golden feet of morn make haste. 



Like morn thou earnest, blessings in thy hands, 
And gracious pity round thine ardent mouth, — 

Like dews of morning upon waiting lands, 
Thy tender tears refreshed my spirit's drouth. 

To-day is calm. Far off the tempest raves 

That long ago swept dead men to the shore, — 

I can forget the madness of the waves, — 

Against my hopes and me they break no more. 



BEAUTY FOR ASHES. 75 

White butterflies flit shining in the sun, — 
Red roses burst to bloom upon the tree, — 

Birds call to birds till the glad day is done, 
The day of beauty thou hast brought to me. 

Shall I forget, O gentle heart and true, 

How thy fair dawn has risen on my night, — 

Turned dark to day, all golden through and through, — 
From soil of grief won bloom of new delight ? 




76 TO MY HEART. 



TO MY HEART. 




N thy long, lonely times, poor aching heart ! 
When days are slow, and silent nights are sad, 
Take cheer, weak heart, remember and be glad, 
For some one loved thee. 



Some one, indeed, who cared for fading face, 
For time-touched hair, and weary-falling arm, 
And in thy very sadness found a charm 

To make him love thee. 

God knows thy days are desolate, poor heart ! 
As thou dost sit alone, and dumbly wait 
For what comes not, or comes, alas ! too .late, 
But some one loved thee. 



TO MY HEART. 77 

Take cheer, poor heart, remembering what he 
said, 
And how of thy lost youth he missed no grace, 
But saw some subtler beauty in thy face, 
So well he loved thee. 

It may be, on Time's farther shore, the dead 
Love the sweet shades of those they missed on this, 
And dream, in heavenly rest, of earth's lost bliss, — 
So he shall love thee. 

Till then take cheer, poor, silent, aching heart ; 
Content thee with the face he once found fair, 
Mourn not for fading bloom or. time-touched hair, 
Since he hath loved thee. 







78 ALIEN WATERS. 




ALIEN WATERS. 

WANDERED long beside the alien waters, 
For summer suns were warm, and winds 
were dead : 

Fields fair as hope were stretching on before me, 
Forbidden paths were pleasant to my tread. 

From boughs that hung between me and the heavens 
I gathered summer fruitage, red and gold : 

For me, the idle singers sang of pleasure : 
My days went by like stories that are told. 

On my rose-tree grew roses for my plucking, 
As red as love, or pale as tender pain, — 

I found no thorns to vex me in my garlands : 

Each day was good, and no rose bloomed in vain. 



ALIEN WATERS. 79 

Sometimes I danced, as in a dream, to music, 
And kept quick time with many flying feet, 

And some one praised me in the music's pauses, 
And very young was life, and love was sweet. 

How could I listen to the low voice calling, 

" Come hither, — leave thy music and thy mirth ? " 

How could I stop to hear of far-off Heaven ? 
I lived, and loved, and was a child of earth. 

Then came a hand and took away my treasures, 
Dimmed my fine gold, cut my fair rose-tree down, 

Changed my dance music into notes of wailing, 

Quenched the bright day, and turned my green 
fields brown. 

Till, walking lonely through the empty places 
Where Love and I no more kept holiday, 

My sad eyes, growing wonted to the darkness, 
Beheld a new light shining far away : 



80 ALIEN WATERS. 

And I could bear my hopes should lie around me, 
Dead like my roses, fall'n before their time, — 

For well I knew some tender Spring would raise 
them 
To brighter blossoming in Hope's fair clime. 




LOOKING BACK. 8 1 




LOOKING BACK. 

MAY live long, but some old days 

Of dear, deep joy akin to pain, — 
Some suns that set on woodland ways 
Will never rise for me again. 
By shining sea, and glad, green shore 
That frolic waves ran home to kiss, 
Some words I heard that nevermore 
Will thrill me with their mystic bliss. 

Oh Love, still throbs your living heart, — 
You have not crossed death's sullen tide 

A deeper deep holds us apart: 

We were more near if you had died, — 

If you had died in those old days 
When light was on the shining sea, 

And all the fragrant woodland ways 

Were paths of hope for you and me. 
6 



82 LOOKING BACK. 

Dead leaves are in those woodland ways, — 

Cold are the lips that used to kiss, — 
' T were idle to recall those days, 

Or sigh for all that vanished bliss. 
Do you still wear your old-time grace, 

And charm new loves with ancient wiles? 
Could I but watch your faithless face, 

I'd know the meaning of your smiles. 




A PROBLEM. 




A PROBLEM. 

Y darling has a merry eye, 
And voice like silver bells : 
How shall I win her, prithee, say, — 
By what magic spells ? 

If I frown, she shakes her head ; 

If I weep, she smiles : 
Time would fail me to recount 

All her wilful wiles. 

She flouts me so, — she stings me so, 
Yet will not let me stir, — 

In vain I try to pass her by, 
My little chestnut bur. 



84 A PROBLEM. 

When I yield to every whim, 
She straight begins to pout. 

Teach me how to read my love, 
How to find her out ! 

For flowers she gives me thistle-blooms, 
Her turtle-doves are crows, — 

I am the groaning weather-vane, 
And she the wind that blows. 

My little love ! My teasing love 
Was woman made for man, — 

A rose that blossomed from his side ? 
Believe it — those who can. 




AT A WINDOW. 85 




AT A WINDOW. 

UST a flower on the window-sill, 

That a kindly visitor's hand has brought, 
And the lame boy, sitting there patient and 
still, 
Tastes the summer with beauty fraught, 
And greets the June and its roses at will, 
And gathers a blossom with every thought. 

Just a bird, with its bright, quick eye 

Glancing in at the window there, 
Dropping a note of song from the sky, 

And off, swift-winged, on the summer air ; 
But a thousand singers with him go by, 

And sing, and the boy is well aware. 



86 AT A WINDOW. 

If the summer comes with a single rose, 

And in one bird's note sings the summer choir, 

And the whole bright world around him glows 
At the summoning breath of a boy's desire, 

Shall we wait for reasons, and ask, " Who knows ? " 
Of souls aglow with the heavenly fire? 




TO A LADY IN A PICTURE. 



87 



TO A LADY IN A PICTURE. 







ITTING in that picture, 
Smiling night and day, 
Do you never weary, 
Long to weep or pray? 



Though your dress is velvet, 
And your hair is gold, 

I see something in your eyes 
That you have not told. 




MY CAPTIVE. 



MY CAPTIVE. 




CAUGHT a little bird, and I shut him in a 
cage, 
And I said, " Now, my pet, I love thee 
dearly. 
Fold thy bright wings, nor let thy fancy range : 
Thou 'rt mine own, so sing, I pray thee, cheerly." 



But, oh, the little bird, he fluttered still his wings, 

And with bright, wild eyes he never ceased to watch 
me, 

And I only heard him say, " 'Tis a free heart that sings, — 
Open my door, and I '11 sing till you catch me." 



MY CAPTIVE. 89 

I brought him dainty food, and I soothed him long and 
well, 
But the timid little heart ceased not to tremble. 
I decked his cage with flowers, with leaves I wrought a 
spell, 
By such fond device his capture to dissemble. 

But still he missed above him the far and shining sky, 
And still he missed about him the free wind's blowing. 

He beat his little wings, for he had no space to fly, 
And his bright, wild eyes l ; .ke twin stars were glowing. 

And I heard his little heart, as it throbbed so loud and 
fast, 
And my love and my pity wrought together, 
Till I opened wide his door, and I said, " Thy thraldom 's 
past. 
Flyaway, bright wings, and seek the summer weather." 



90 



MY CAPTIVE. 



But now I think he loves me, since I have made him 
free, — 

For often, oftentimes, at daybreak or at gloaming, 
I think I hear a song that seems to be for me, — 

"Throw wide the door, to keep a heart from roaming." 




A'OSES. 91 



tmw 



ROSES. 

iAROLD, on a summer day, 

Gave me roses for my hair, — 
Roses red, and roses white, 
As if pale with Love's despair. 



White ones for my brow, he said, 
Red to blush beside my cheek, — ■ 

And a bud to whisper me 

Something that he dared not speak. 

Ah, that summer day is over, 

And its brightness comes not back : 

Harold's roses something held 
Other roses seem to lack. 



92 ROSES. 

Blossoms bloom along my path 
Red and white as those were then, 

But the words that Harold spoke 
I can never hear again. 




DOWN THE RIVER. 93 



DOWN THE RIVER. 



TO E. M. H. 



^^^|OWN the wonderful, magical river 
We drifted that summer night; 
And we almost heard the shiver 



Of the wind through the trees on our right ; 
And the moon-rays seemed to quiver 
On your face, like the moonlight white. 

And the tide with a soft resistance 
Withstood our keel from below; 

But the yacht with its firm insistence 
Dropped down to the city below ; 

And we saw in the mystical distance 
The white skiffs come and go. 



94 DOWN THE RIVER. 

And your eyes in the moonlight tender 
Had things as tender to say; 

And your hand, so timid and slender, 
In mine forgetfully lay; 

And how my dream shall I render, 
As we drifted into the bay? 

But there were the lights of the city, 
And in vain was the white moon white ; 

And the town, with its glare, had no pity 
For the dream of a summer night ; 

So I turn the dream to a ditty 
To sing to you, Heart's Delight ! 




LOVE'S LAND. 95 



LOVE'S LAND. 

SrM^lN the South is Love's land, 
Where the roses blow, 
Where the summer lingers 
Fearless of the snow. 
There no winter chills it, 

So its life is long, — 
Gentle breezes fan it, 

Age but makes it strong." 

" Nay, fresh roses wither 

Where the sun is hot, — 
Not in torrid regions 

Blooms Forget-me-not. 
Love 's a tender blossom 

Which the Winter chills, 
But the eager Summer 

Kisses it, and kills." 



96 HER WINDOW. 




HER WINDOW. 

UT of her window, that morn of grace, 
She leaned her radiant, beautiful face, — 
The sun, ashamed, went into a cloud ; 
But, glad of the dawning, the birds sang loud. 



A laggard went up the garden walk, 

And lingered to hear the murmuring talk 

Of flower and bee and every comer 

That fluttered along in front of the summei. 

He quaffed the wine of the morning air, 
And felt with a thrill that the day was fair, — 
Then he raised his eyes to her window's height, — 
" Ah, me," he said, "but the sun is bright ! " 



A MADRIGAL. 97 




A MADRIGAL. 

OVE is a day, Sweetheart, shining and bright 
It hath its rose-dawn ere the morning light ; 
Its glow and glory of the sudden sun ; 
Its noon-tide heat as the swift hours wear on \ 
Its fall of dew, and silver-lighted night, — 
Love is a day, Sweetheart, shining and bright. 

Love is a year, Beloved, bitter and brief : 

It hath its spring of bud, and bloom and leaf ; 

Its summer burning from the fervid South 

Till all the fields lie parched and faint with drouth ; 

Its autumn, when the leaves sweep down the gale, 

When skies are grey, and heart and spirit fail ; 

Its winter white with snow, more white with grief, — 

Love is a year, Beloved, bitter and brief. 



98 A MADRIGAL. 

Love is a life, Sweetheart, ending in death : 
Is it worth while to mourn its fleeting breath, — 
Light-footed youth, or sad, fore-casting prime, 
Joy of young hope, or grief of later time ? 
What pain or pleasure stays its parting breath ? 
Love is a life, Sweetheart, ending in death. 




QUESTION. oy 




QUESTION. 

EAR and blessed dead ones, can you look and 
listen 
To the sighing and the moaning down here 
below ? 
Does it make a discord in the hymns of Heaven, — 
The discord that jangles in the life you used to know? 

When we pray our prayers to the great God above you, 
Does the echo of our praying ever glance aside your 
way? 
Do you know the thing we ask for, and wish that you 
could give it, 
You, whose hearts ached with wishing in your own 
little day? 



100 QUESTION. 

Are your ears deaf with praises, you blessed dead of 
Heaven, 
And your eyes blind with glory, that you cannot see 
our pain ? 
If you saw, if you heard, you would weep among the 
angels, 
And the praises and the glory would be for you in 
vain. 

Yet He listens to our praying, the great God of pity, 
As He fills with pain the measure of our Life's little 
day,— 
Could He bear to sit and shine there, on His white throne 
in Heaven, 
But that He sees the end, while we onl)/ see the way ? 






/ FAIN WOULD GO. 10 1 




I FAIN WOULD GO. 

WAY from carking care, 
From passion and despair, 
From hopes that but delude, 
And blasts that are too rude, — 
From friendships that betray, 
And joys that pass away, 
And love that turns to hate 
In hearts left desolate, 
I fain would go. 

From weary days and nights, 
And ghosts of lost delights, — 
Fair phantoms of dead days, 
That wander through old ways, - 



102 / FAIN WOULD GO. 

From parting's bitter pain, 
And meeting's transient gain, 
And death that mocks us so, 
With glad life's overthrow, — 
I fain would go, 

To some fair land and far, 
Where all my lost ones are, 
Where smiles shall bloom anew, 
And friendship shall be true, 
Where falls no weary night, 
Since God Himself is light, — 
Across the soundless sea 
To that far land, and free, 
I fain would go. 




THE SPRING IS LATE. 103 




THE SPRING IS LATE. 

HE stood alone amidst the April fields, — 
Brown, sodden fields, all desolate and bare, — 
" The spring is late," she said, — " the faithless 
spring, 
That should have come to make the meadows fair. 

" Their sweet South left too soon, among the trees 
The birds, bewildered, flutter to and fro ; 

For them no green boughs wait, — their memories 
Of last year's April had deceived them so. 

" From 'neath a sheltering pine some tender buds 
Looked out, and saw the hollows filled with snow ; 

On such a frozen world they closed their eyes ; 

When spring is cold, how can the blossoms blow ? " 



104 THE SPRING IS LATE. 

She watched the homeless birds, the slow, sad spring, 
The barren fields, and shivering, naked trees : 

" Thus God has dealt with me, his child," she said, — 
" I wait my spring-time, and am cold like these. 

" To them will come the fulness of their time ; 

Their spring, though late, will make the meadows fair ; 
Shall I, who wait like them, like them be blest? 

I am His own, — doth not my Father care ? " 







SELFISH PRAYER. 10; 




SELFISH PRAYER. 

OW we, poor players on Life's little stage, 
Thrust blindly at each other in our rage, 
Quarrel and fret, yet rashly dare to pray 
To God to help us on our selfish way. 



We think to move Him with our prayer and praise, 
To serve our needs ; as in the old Greek days 
Their gods came down and mingled in the fight 
With mightier arms the flying foe to smite. 

The laughter of those gods pealed down to men, 
For Heaven was but earth's upper story then 
Where goddesses about an apple strove, 
And the high gods fell humanly in love. 



io6 



SELFISH PRAYER. 



We own a God whose presence fills the sky> — 
Whose sleepless eyes behold the worlds roll by ; 
Shall not His memory number, one by one, 
The sons of men, who calls them each His son? 





FOR ME ALONE. 10/ 



FOR ME ALONE. 

ECAUSE your eyes are blue, your lips are red, 
And the soft hair is golden on your head, 
And your sweet smiling can make glad the 
day, 
And on your cheeks pink roses have their way, 
Should I adore you? 

Since other maids have shining golden hair, 
And other cheeks the June's pink roses wear, 
And other eyes can set the day alight, 
And other lips can smile with youth's delight, — 
Why bow before you? 

But if the eyes are blue for me alone, 
And if for only me the rose has blown, 
And but for me the lips their sweet smile wear, 
Then shall you mesh me in your golden hair, — 
I will adore you. 



108 FOR ME ALONE. 

And as my saint, my soul's one shining star, 
That lights my darkness from its throne afar 
As lights the summer moon the waiting sea, 
With all I am, and all I strive to be, 
I '11 bow before you. ' 




AD TE DOM IN E. 



109 




AD TE DOMINE. 

THOU who sendest dewdrops to the garden, 
Until each fragrant bud receives its own, 

Canst Thou not look on human hearts and 
pardon 
To waiting loneliness its bitter moan ? 



The flowers can drink the dawn, — it hastens to them ; 

But hearts athirst wait sadly for their hour, 
For the sweet gift that may, perchance, undo them. — 

Too fatal sweet a dew for human flower. 



IIO IF I COULD KEEP HER SO. 




IF I COULD KEEP HER SO. 

UST a little baby, lying in my arms, — 
Would that I could keep you, with your baby 
charms ; 

Helpless, clinging ringers, downy, golden hair, 
Where the sunshine lingers, caught from otherwhere ; 
Blue eyes asking questions, lips that cannot speak, 
Roly-poly shoulders, dimple in your cheek ; 
Dainty little blossom in a world of woe, 
Thus I fain would keep you, for I love you so. 

Roguish little damsel, scarcely six years old, — 
Feet that never weary, hair of deeper gold ; 
Restless, busy fingers all the time at play, 
Tongue that never ceases talking all the day ; 



IF I COULD KEEP HER SO. m 

Blue eyes learning wonders of the world about, 
Here you come to tell them, — what an eager shout ! — 
Winsome little damsel, all the neighbours know ; 
Thus I long to keep you, for I love you so. 

Sober little schoolgirl, with your strap of books, 

And such grave importance in your puzzled looks ; 

Solving weary problems, poring over sums, 

Yet with tooth for sponge-cake and for sugar-plums ; 

Reading books of romance in your bed at night, 

Waking up to study with the morning light ; 

Anxious as to ribbons, deft to tie a bow, 

Full of contradictions, — I would keep you so. 

Sweet and thoughtful maiden, sitting by my side, 
All the world 's before you, and the world is wide ; 
Hearts are there for winning, hearts are there to break, 
Has your own, shy maiden, just begun to wake ? 



112 IF I COULD KEEP HER SO. 

Is that rose of dawning glowing on your cheek 
Telling us in blushes what you will not speak ? 
Shy and tender maiden, I would fain forego 
All the golden future, just to keep you so. 



Ah ! the listening angels saw that she was fair, 
Ripe for rare unfolding in the upper air ; 
Now the rose of dawning turns to lily white, 
And the close-shut eyelids veil the eyes from sight ; 
All the past I summon as I kiss her -brow, — 
Babe, and child, and maiden, all are with me now. 
Though my heart is breaking, yet God's love I know,- 
Safe among the angels, I would keep her so. 




A NNIE'S DA UGH TER. \ 1 3 




ANNIE'S DAUGHTER. 

HE lingering charm of a dream that has fled, 
The rose's breath when the rose is dead, 
The echo that lives when the tune is done, 
The sunset glories that follow the sun, 
Every thing tender and every thing fair 
That was, and is not, and yet is there, — 
I think of them all when I look in these eyes, 
And see the old smile to the young lips rise. 

I remember the lilacs, all purple and white, 
And the turf at the feet of my heart's delight, 
Sprinkled with daisies and violets sweet — 
Daintiest floor for the daintiest feet — 



114 ANNIE'S DAUGHTER. 

And the face that was fond, and foolish, and fair, 
And the golden grace of the floating hair, 
And the lips where the glad smiles came and went, 
And the lashes that shaded the eyes' content. 

I remember the pledge of the red young lips 
And the shy, soft touch of the finger-tips, 
And the kisses I stole, and the words we spoke, 
And the ring I gave, and the coin we broke, 
And the love that never should change or fail 
Though the earth stood still or the stars turned pale ; 
And again I stand, when I see these eyes, 
A glad young Fool, in my Paradise. 

For the earth and the stars remained as of old, 
But the love that had been so warm grew cold. 
Was it She ? Was it I ? — I don't remember : 
Then it was June, — it is now December. 



A XAV£?S DA UGH TER. 



rr 



But again I dream the old dream over, 
My Annie is young, and I am her lover 
When I look in this Annie's gentle eyes 
And see the old smile to the young lips rise. 




=<P^ 



n6 LOOKING INTO THE WELL. 




LOOKING INTO THE WELL. 

P in the maples the robins sung, 

The winds blew over the locusts high, 
And along the path by their boughs o'erhung 

We wandered gaily, Lulu and I, — 
Wandered along in pleasant talk, 

Pausing our nursery tales to tell, 
Till we came to the end of the shaded walk 

And sat, at last, by the moss-grown well. 
She was a child, and so was I : 

It mattered not that we told our love, — 
Whispered it there, with no one nigh 

Save birds that sang in the trees above. 
I looked down into her shy blue eyes, 

She at my face in the shaded well : 
I saw the glow to her fair cheek rise, 

Like pink in the heart of an ocean shell. 



LOOKING INTO THE WELL. 1 17 

Again in the trees the robins sung ; 

The gold had deepened upon her hair : 
The locusts' over the pathway hung 

To look at her face so still and fair. 
I said no word : I sat by her side 

Contented to hold her hand in mine 
Dreaming of love and a fair young bride, — 

Visions that truth would have made divine. 
The robin's song took a clearer tone, 

The sky was a tenderer, deeper blue : 
Her face in the limpid waters shone, — 

I thought her eyes were holy and true. 



I walked alone to the shaded well 

When locusts bloomed in the next year's 
June, — 

The shadows along my pathway fell, 
The wild birds sang a sorrowful tune. 



I IS LOOKING INTO THE WELL. 

She had given her shining hair's young gold, 

Her holy brow and her eyes of blue, 
The form I had scarcely dared to fold, 

To a wealthy suitor who came to woo : 
Had sold, for jewels and land and name, 

Youth and beauty and love and grace, — 
Alone I cursed the sin and shame, 

And started to see my own dark face 
Mirrored there in the well below, 

With its haggard cheek and its lines of care, 
Where I once had seen a girlish brow 

And shy blue eyes and golden hair. 

Years have passed since that summer day 
Went over the hills with its silent tread : 

I walk alone where its glory lay, — 
I am lonely, and Lulu is dead. 

Dust is thick on her shining hair, 
A shroud is folded across her breast, 



LOOKING INTO THE WELL. 

The winds blow over the locusts where 

She lies at last, alone and at rest. 
Youth and beauty, and love and grace, 

Wealth and station, joy and pain, — 
If she dream at all in that lonely place, 

She will know, at length, that her life was vain. 

I do not think of her heart's disgrace, 

Looking into the waters there ; 
For I seem to see once more a face 

With shy blue eyes and golden hair. 
Out among men she walks by my side — 

For me she lives whom the world calls dead, - 
I talk at night to my shadow bride, 

And pillow in dreams her golden head. 
They broke her heart, — so the gossips tell, — 

Who sold her hand for wealth and a name ; 
But I see her face in the cool, deep well, 

And its innocent beauty is still the same. 



119 



T20 LIKE A CHILD. 




LIKE A CHILD. 

LAYING there in the sun, chasing the butter- 
flies, 
Catching his golden toy, holding it fast till it 
dies, 
Singing to match the birds, calling the robins at will, 
Glancing here and there, never a moment still, — 
Like a child. 

Going to school at last, learning to read and write, 
Puzzled over his slate, busy from morn till night, 
Striving to win a prize, careless when it is won, 
Finding his joy in the strife, not in the thing that 's done. 

Busy in eager trade, buying, and selling again, 
Chasing a golden prize, glad of a transient gain, 
Always beginning anew, never the long task done, 
Just as it used to be with the butterfly in the sun. 



LIKE A CHILD. 121 

Seeking a woman's heart, winning it for his own, 
Then, too busy for love, letting it turn to stone : 
Sure of his plighted troth, what more had a wife to ask ? 
Is he not doing for her each day his daily task ? 

A child, to pine and complain, — a child, to grow so 

pale, — 
For want of some foolish words shall the faith of a woman 

fail ? 
Words ! he said them once, — what need of any thing 

more ? 
Does one who has entered a room go back and wait at 

the door? 

Baby Mary and Kate never can climb his knee : 
Motherly arms are open, — but " Father 's busy, you see." 
Too busy to stop to hear a babble of broken talk, 
To mend the jumping-jack or make the new doll walk. 



122 I.IKE A CHILD. 

So busy that when Death comes he pleads for a little 

delay, 
If not to finish his work, at the least a word to say, — 
A word to wife and child, a sentence to tell the truth, 
That he loves them now, at the last, with the passionate 

heart of youth. 

The kisses of Death are cold, and they turn his lips to 

stone : 

Out of the warm, bright world the man goes all alone. 

Do Angels wait for him there, over the soundless sea? 

He goes, as he came, all helpless, to a new world's 

mystery — 

Like a child. 




A SONG IN THE WOOD. 



123 




A SONG IN THE WOOD. 

1 FOUND a shy little violet root 

Half hid in the woods, on a day of spring, 
And a bird flew over, and looked at it, too, 
And for joy, as he looked, he began to sing. 



The sky was the tenderest blue above, — 
And the flower like a bit of the sky below ; 

And between them the wonderful winds of God 
On heavenly errands went to and fro. 

Away from the summer, and out of the South 
The bird had followed a whisper true, 

As out from the brown and desolate sod 

Stepped the shy little blossom, with eyes of blue. 



124 A SONG IN THE WOOD. 

And he sang to her, in the young spring day, 
Of all the joy in the world astir; 

And her beauty and fragrance answered him, 
While the spring and he bent over her. 







MY BOY. 



125 



MY BOY. 




HAD a little bird once. 
But he has flown away 

I had a little boy once, 
But ah, he did not stay. 



What do they up in Heaven, 
That Bird and Boy should fly, 

And leave my home so empty 
To seek the far-off sky ? 



What do they up in Heaven ? — 
Perchance the angels sing, 

And, when they heard that music, 
My Bird and Boy took wing. 



126 MY BOY. 

The heavenly flowers bloom always, 
The skies are always bright, 

And all the little children 

Play there from morn till night. 

But do they never weary, 
And long to go to rest, 

Like little human children, 
Upon a mother's breast ? 

My home and arms are empty, 
My longing heart is sore, 

Since they who sought the summei 
Come back to me no more. 



How softly falls the twilight, — 
The sunset fires are out : 

A wind that comes from Heaven 
Blows slowly round about. 



MY BOY. 127 



I close my eyes and listen, 

And presently I hear 
A small voice through the darkness 

Sigh, "Mother — I am near. 



" Come, take me in, dear mother, 
And rock me as of old : 

I used to be so happy 
Within your tender hold ! 

" There sorrow cannot find me, 
And pain shall pass me by, — 

When you -enfold who love me, 
What clanger can come nigh ? 

" So safe I was in Heaven, 
So bright the shining days ! 

But, from afar, your weeping 
Disturbed the hymns of praise, 



128 MY BOY. 

" Till the dear Lord and gentle 
Sent me to soothe your pain, 

And, if you fain would keep me, 
He bids me to remain." 



I kissed his tender eyelids, 

I laid him on my heart ; 
And yet, when came the dawning, 

I prayed him to depart. 

I feared the unknown future, 
I feared the paths untried, — 

How dared I keep my darling 
When Heaven was opened wide ? 

But, ah, my heart is lonely 

Since Boy and Bird have fled, — 
I hear the silence only, 

And wish that I were dead. 



TROTHPLIGHT. 1 29 




TROTHPLIGHT. 

[for the Golden Wedding of a Husband thirty- seven years blind. .] 

BROUGHT her home, my bonny bride, 

Just fifty years ago ; 
Her eyes were bright, 
Her step was light, 

Her voice was sweet and low. 

In April was our wedding-day, — 

The maiden month, you know, 

Of tears and smiles, 

And wilful wiles, 

And flowers that spring from snow. 



I 30 TRO THP LIGHT. 

My love cast down her dear, dark eyes 
As if she fain would hide 

From my fond sight 

Her own delight, 

Half shy yet happy bride. 



But blushes told the tale, instead, 

As plain as words could speak, 

In dainty red 

That overspread 

My darling's dainty cheek. 



For twice six years and more I watched 
Her fairer grow each day, — 

My babes were blest 

Upon her breast, 

And she was pure as they. 



TROTHPLIGHT. 13 r 

And then an angel touched my eyes, 
And turned my day to night, 

That fading charms 

Or time's alarms 

Might never vex my sight. 

Thus sitting in the dark I see 

My darling as of yore, — 
With blushing face 
And winsome grace, 

Unchanged, for evermore. 

Full fifty years of young and fair ! 

To her I pledge my vow 
Whose spring-time grace 
And April face 

Have lasted until now. 



132 



THE HOUSE IN THE MEADOW. 



THE HOUSE IN THE MEADOW. 




T stands in a sunny meadow, 

The house so mossy and brown, 
With its cumbrous old stone chimneys, 
And the grey roof sloping down. 



The trees fold their green arms round it, 

The trees a century old ; 
And the winds go chaunting through them, 

And the sunbeams sift their gold. 



The cowslips spring in the meadows, 
The roses bloom on the hill, 

And beside the brook in the pasture 
The herds are feeding at will. 



THE HOUSE IN THE MEADOW. 133 

Within, in the wide old kitchen, 

The old folk sit in the sun 
That creeps through the sheltering woodbine 

Till the day is almost done. 

Their children grew up and left them, — 

They sit in the sun alone, 
And the old wife's ears are failing 
As she harks to the well-known tone 

That won her heart in her girlhood, 
That has soothed her in many a care, 

And praises her now for the brightness 
Her old face used to wear. 

She thinks again of her bridal, 

How, dressed in her robe of white, 
She stood by her gay young lover 

In the morning's rosy light : — 



I 3 4 1HE HOUSE IN THE MEADOW 

Oh, the morning is rosy as ever, 

But the rose from her cheek has fled ; 

And the sunshine still is golden, 
But it shines on a silvered head. 

And the girlhood dreams, once vanished, 
Come back in her winter time 

Till her feeble pulses tremble 

With the thrill of spring-time's prime. 

And, looking forth from the window, 
She thinks how the trees have grown 

Since, clad in her bridal whiteness, 
She crossed the old door-stone. 

Though dimmed her eyes' bright azure, 
And dimmed her hair's young gold, 

The love in her girlhood plighted 
Has never grown dim nor cold. 



THE HOUSE IN THE MEADOW. 135 



They sat in peace in the sunshine 

Till the day was almost done, 
And then, at its close, an angel 

Stole over the threshold stone. 

He folded their hands together, 

He touched their eyelids with balm, 

And their last breath floated outward 
Like the close of a solemn psalm. 

Like a bridal pair they traversed 

The unseen, mystical road 
That leads to the Beautiful City 

Whose Builder and Maker is God. 

Perchance in that miracle country 
They will give her lost youth back, 

And the flowers of the vanished spring-time 
Will bloom in the spirit's track. 



136 THE HOUSE IN THE MEADOW. 

One draught from the living waters 
Shall call back his manhood's prime ; 

And eternal years shall measure 
The love that outlasted time. 

But the shapes that they left behind them, 
The wrinkles and silver hair, — 

Made holy to us by the kisses 
The angel had printed there, — 

We will hide away 'neath the willows 
When the day is low in the west, 

Where the sunbeams cannot find them 
Nor the winds disturb their rest ; 

And we '11 suffer no tell-tale tombstone, 
With its age and date, to rise 

O'er the two who are old no longer 
In the Father's house in the skies. 



FROM DUSK TO DAWN. 1 37 



FROM DUSK TO DAWN. 




T was just at the close of a summer day, 

When the fair, young moon in the east was up, 
And falling, as falls the peace of God, 
The dew dropped balm in the wild-flower's 
cup. 



And soft south winds touched the weary brow 
Of a woman who leaned on a cottage gate 

And lingered to catch the low, sweet call 
Of a late bird singing home to his mate. 

From within she heard the household talk, 
As if each to other were true and dear, 

And after her, down the lonesome street, 
Followed the sound of mirthful cheer. 



138 FROM DUSK TO DAWN. 

They were blest, she knew, in their homely peace, — 
A sad smile trembled about her mouth, — 

" I am glad," she said, "that for some poor souls 
There be full wells, though the rest have drouth." 

She saw the children about the doors, 
With fond young lips for mothers to kiss, 

And from every home, as she passed along, 
She caught some cadence of household bliss. 

Till she came, at last, to her own low roof, 
Where she and a ghost dwelt face to face, — 

The ghost of her days of joy and youth, 
The only guest in that lonesome place. 

They talked together of all the past, — 

She and the ghost, in the white moonlight, — 

Till the pale guest's face like an angel's grew, 
An old-time glory had made it bright. 



FROM DUSK TO DAWN. 139 

When the dawn arose, they both were gone, — 
On the bed a shape like the woman's lay, — 

But she, with the ghost of the gay, glad past, 
To some land of shadows had wandered away : 

A land where she found the lost again, — 

Where youth was waiting, and love was sweet, 

And all the joys she had buried once 
Sprang up like blossoms about her feet. 




140 



THERE. 



THERE. 




10 any hearts ache there, beyond the peaceful 
river ? 
Do fond souls wait, with longing in their eyes, 
For those who come not, will not come, forever, — 
For some wild hope whose dawn will never rise ? 



Do any love there still, beyond the silent river, 
The ones they loved in vain, this side its flow ? 

Does the old pain make their heart-strings ache and 
quiver ? — 
I shall go home, some day, go home and know. 



The hill-tops are bright there, beyond the shining river, 
And the long glad day, it never turns to night, — 

They must be blest, indeed, to bear the light for ever, 
Grief longs for darkness to hide its tears from sight. 



THERE. 1 41 

Are tears turned to smiling, beyond the blessed river, 
And mortal pain and passion drowned in its flow ? — 

Then all we who sit on its hither bank and shiver, 
Let us rejoice, — we shall go home and know. 




142 



SOMEBODY'S CHILD. 



SOMEBODY'S CHILD. 




UST a picture of Somebody's child, — 
Sweet face set in its golden hair, 
Violet eyes, and cheeks of rose, 
Rounded chin, with a dimple there, 



Tender eyes where the shadows sleep, 
Lit from within by a secret ray, — 

Tender eyes that will shine like stars 

When love and womanhood come this way 



Scarlet lips with a story to tell, — 
Blessed be he who shall find it out, 

Who shall learn the eyes' deep secret well, 
And read the heart with never a doubt. 



SOMEBODY'S CHILD. 143 

Then you will tremble, scarlet lips, 

Then you will crimson, loveliest cheeks : 

Eyes will brighten and blushes will burn 
When the one true lover bends and speaks. 

But she 's only a child now, as you see, 

Only a child in her careless grace : 
When Love and Womanhood come this way 

Will any thing sadden the flower-like face ? 




144 A WOMAN'S WAITING. 




A WOMAN'S WAITING. 



NDER the apple-tree blossoms, in May, 
Robert and I watched the sun go down : 
Behind us the road stretched back to the East, 
On through the meadows to Danbury town. 



Silent we sat, for our hearts were full, 
Silently watched the reddening sky, 

And saw the clouds across the west 

Like the phantoms of ships sail silently. 

Robert had come with a story to tell, 
I knew it before he had said a word, — 

It looked from his eyes, and it shadowed his face, 
He was going to march with the Twenty-third. 



A WOMAN'S WATTING. 145 

We had been neighbours from childhood up, 

Gone to school by the self-same way, 
Climbed the same steep woodland paths, 

Knelt in the same old church to pray. 

We had wandered together, boy and girl, 

Where wild flowers grew and wild grapes hung, 

Tasted the sweetness of summer days 

When hearts were true and life was young. 

But never a love word had crossed his lips, 

Never a hint of pledge or vow, 
Until, as the sun went down that night, 

His tremulous kisses touched my brow : — 

" Jenny," he said, " I 've a work to do 
For God and my country and the right, — 

True hearts, strong arms, are needed now, — 
I must not linger when others fight. 



10 



146 A WOMAN'S WAITING. 

" Will you give me a pledge to cheer me on, — 
A hope to look forward to, by and by ? 

Will you wait for me, Jenny, till I come back ? " 
" I will wait," I answered, " until I die." 

The May moon rose as we walked that night 
Back through the meadows to Danbury town, 

And one star rose and shone by her side, — 
Calmly and sweetly they both looked down. 

The scent of blossoms was in the air, 

The sky was blue and the eve was bright, 

And Robert said, as he walked by my side, 
" Old Danbury town is fair to-night. 

" I shall think of it, Jenny, when far away, 
Placid and still 'neath the moon as now, — 

I shall see it, Darling, in many a dream, 
And you with the moonlight on your brow." 



A WOMAN'S WAITING. 147 

No matter what else were his parting words, — 

They are mine to treasure until I die, 
With the clinging kisses and lingering looks, 

The tender pain of that fond good bye. 

I did not weep, — I tried to be brave : 

I watched him until he was out of sight, — 

Then suddenly all the world grew dark, 
And I was blind in the bright May night. 

Blind and helpless I slid to the ground 
And lay with the night-dews on my hair, 

Till the moon was down and the dawn was up, 
And the fresh May morn rose clear and fair. 

He was taken and I was left, — 

Left to wait and to watch and pray, — 

Till there came a message over the wires 
Chilling the air of the August day : — 



148 A WOMAN'S WAITING. 

Killed in a skirmish eight or ten, — 

Wounded and helpless as many more, — 

All of them our Connecticut men, — 
From the little town of Danbury, Four. 

But I only saw a single name, — 

Of one who was all the world to me : 

I promised to wait for him till I died, — 
O God, O Heaven, how long will it be ? 

1863. 




JOHN A. ANDREW. 149 




JOHN A. ANDREW. 

1867. 

LARGE of heart, and grand, and calm, 
Who held the helm of state so long, 

Our plaining mingles with our praise, 
Our sorrow sanctifies our song. 

Clear eyes, kind lips so silent now, 
Ears deaf to all our worldly din, 

Great soul which has not left its peer, 
We would the grave-sod had shut in 

Some lesser man, and we, to-day, 
Had thy strong will to urge us on, 

Thy brain to plan, thy hand to help, 
Thy cheerful voice to say " well done ! " 



150 JOHN A. ANDREW. 

But whatsoe'er we do of good, 

In doing it we honor thee ; 
We follow where our leader led, — 

Can he look down from heaven and see? 




THE COUNTRY OF " IF" I 5 I 




THE COUNTRY OF "IF." 

HERE is not much, indeed, that I can say 
Since " If " was the sole country of our 
dreams, 
And at its gate one stood to bar the way 

To that glad land, those silver-shining streams. 

I know, dear Heart, how fair that country is, — 
Its rivers flow through meadows green and still, 

Its skies bend lovingly o'er lovers' bliss, 

No cold winds blow there, and no winters chill. 

There would we fain have wandered, thou and I, — 
But the strong Angel met us at its gate : 

He heeded not Love's prayer, or Passion's cry, — 
" Oh, fools and mad," he said, "you come too late." 



152 FOR CUPID DEAD. 



FOR CUPID DEAD. 



|pppl|HEN Love is dead, what more but funeral 
rites, — 
To lay his sweet corse lovingly to rest, 
To cover him with rose and eglantine, 

And all fair posies that he loved the best? 

What more, but kisses for his close-shut eyes, 
His cold, still lips that never more will speak, — 

His hair, too bright for dust of death to dim, 
The flush scarce faded from his frozen cheek? 

What more, but tears that will not warm his brow, 
Although they burn the eyes from whence they start ? 

No bitter weeping or more bitter words 

Can rouse to one more throb that pulseless heart. 



FOR CUPID DEAD. 153 

So dead he is, who once was so alive ! 

In summer, when the ardent days were long, 
He was as warm as June, as gay and glad 

As any bird that swelled its throat with song. 

So dead ! yet all things were his ministers, — 
All birds and blossoms, and the joyous June : 

Would they had died, and kept sweet Love alive ! 
Since he is gone, the world is out of tune. 




154 



WE LAY US DOWN TO SLEEP. 



WE LAY US DOWN TO SLEEP. 




E lay us down to sleep, 

And leave to God the rest, 
Whether to wake and weep 
Or wake no more be best. 



Why vex our souls with care ? 

The grave is cool and low, — 
Have we found life so fair 

That we should dread to go ? 



We 've kissed love's sweet, red lips^ 
And left them sweet and red : 

The rose the wild bee sips 
Blooms on when he is dead. 



WE LAY US DOWN TO SLEEP. 155 

Some faithful friends we Ve found, 

But they who love us best, 
When we are under ground, 

Will laugh on with the rest. 

No task have we begun 

But other hands can take : 
No work beneath the sun 

For which we need to wake. 

Then hold us fast, sweet Death, 

If so it seemeth best 
To Him who gave us breath 

That we should go to rest. 

We lay us down to sleep, 

Our weary eyes we close : 
Whether to wake and weep 

Or wake no more, He knows. 



SONNETS. 



r 



THE NEW DAY. 159 



THE NEW DAY. 



|©B|^giHEN the great sun sets the glad East aflame, 

\r^Pwl Tiie un g erm » stars are swiftl y P ut to fli s nt ; 

~~ — : ~^ For Day, triumphant, overthrows the night, 



And mocks the lights that twinkled till he came. 

The waning moon retires in sudden shame ; 
And all the air, from roseate height to height, 
Quivers with wings of birds, that take the light 

To jubilant music of one tender name. 

So Thou hast risen, — Thou who art my day ; 

And every lesser light has ceased to shine. 

Pale stars, confronted by this dawn of thine, 
Like night and gloom and grief have passed away ; 

And yet my bliss I fear to call it mine, 
Lest fresh foes lurk with unforeseen dismay. 



l6o ONE DREAD. 




ONE DREAD. 

O depth, dear Love, for thee is too profound ; 
There is no farthest height thou mayst not 
dare, 

Nor shall thy wings fail in the upper air : 
In funeral robe and wreath my past lies bound ; 
No old-time voice assails me with its sound 

When thine I hear; no former joy seems fair; 

And now one only thing could bring despair, 
One grief like compassing seas my life surround, 
One only terror in my way be met, 

One great eclipse change my glad day to night, 

One phantom only turn from red to white 
The lips whereon thy lips have once been set : 

Thou knowest well, dear Love, what that must be, — 

The dread of some dark day unshared by thee. 



AFAR. \6l 




AFAR. 

HERE Thou art not no day holds light for me, 
The brightest noontide turns to midnight 
deep ; 

There no bird sings, but awesome shadows creep, — 
Persistent ghosts that hold my memory, 
And walk where Joy and Hope once walked with thee, 
And in thy place their lonesome vigil keep, — 
Sad shades that haunt the inmost ways of sleep, 
No kindly morning ever bids them flee. 

Those tireless footsteps, will they never cease? 

Like crownless queens they tread their ancient ways, 

Pale phantoms of old dreams and vanished days, — 

And mock my poor endeavors after peace. 

Too long this Arctic night, too keen its cold ; 

Come back, strong sun, and warm me as of old ! 

ii 



1 62 LAST YEAR. 



LAST YEAR. 




I. 

OU thought, O Love, you loved me then, I 
know ; 
For that I bless you, now when Love is cold, 
Remembering how warm the tale you told, 
While winds of autumn fitfully did blow, 
And, by the sea's perpetual ebb and flow, 
We wandered on together to behold 
Noon's radiant splendor, or the sunset's gold, 
Or beauty of still nights where moons hung low. 

Your voice grew tender when you called my name ; 
I heard that voice to-day, — was it the same ? — 

The old-time music trembles in it yet. 
Your touch thrilled through me like a sudden flame, 
And then Love's sweet and subtle madness came, 

And glad lips clung that now to kiss forget. 



LAST YEAR. 1 63 



II. 



You surely must remember, though to-day- 
There is no spell to charm you in the past. 
So dear the dream was that it could not last : 

Too soon our pleasant skies were changed to gray ; 

The sun turned from our barren land away, 
And all the leaves swept by us on the blast, 
And all our hopes to that wild wind were cast — 

For dead Love's soul there is no place to pray. 

But still the old time lingers in our thought ; 

In our regretful dreams the old suns rise, 
And from their shining, memory hath caught 

Some lingering glory of that glad surprise 
When Love rose on us like the sun, and brought 

Our hearts their morning under last year's skies. 



1 64 FIRST LOVE. 




FIRST LOVE. 

1ME was you heard the music of a sigh, 
And Love awoke ; and with it Song was 
born, — 

Song glad as young birds carol in the morn, 
And tender as the blue and brooding sky, 
When all the earth feels Spring's warm witchery, 
And with fresh flowers her bosom doth adorn ; 
And lovers love, and cannot love forlorn, 
Since Love is of the gods, and may not die. 

In after years may come some wildering light, — 
Some sweet delusion, followed for a space, — 

Such fitful fire-flies flash athwart the night, 
But fade before the shining of that face 

Which shines upon you still in Death's despite, 
Whose steadfast beauty lights till death your days. 



LOVE'S FORGIVENESS. 165 




LOVE'S FORGIVENESS. 

DO forgive you for the pain I bear, 
Though bitter pain is mingled with my bliss ; 
For still I think, while thrilling to your kiss, 
" He found that other woman much more fair." 
I read your words, and see, immortal there, 
Another love — how warm it was to this ! 
And know that from my face you still must miss 
The beauty that another used to wear. 

Yet I forgive you, Dear, and bow my head 
To Destiny, my master and your own, — 

He sets the way wherein my feet must tread ; 
And if he give me nothing quite mine own, — 

I know some day my heart ; so sore bested, 
Will rest most quietly, and turn to stone. 



1 66 IN TIME TO COME. 




IN TIME TO COME. 

HE time will come full soon ! I shall be gone, 
And you sit silent in the silent place, 
With the sad Autumn sunlight on your face. 
Remembering the loves that were your own, 
Haunted perchance by some familiar tone, 
You will be weary then for the dead days, 
And mindful of their sweet and bitter ways, 
Though passion into memory shall have grown. 

Then will I with your other ghosts draw nigh, 
And whisper, as I pass, some former word, — 

Some old endearment known in days gone by, 
Some tenderness that once your pulses stirred : — 

Which was it spoke to you, the wind or I? 
1 think you, musing, scarcely will have heard. 



A SUMMER'S GROWTH. 1 67 




A SUMMER'S GROWTH. 

\IR was the flower which proffers now its fruit ; 
The bud began to swell 'neath Spring's soft 
dew, 

And tenderly the winds of summer blew 
To foster it; and great strong suns were mute, 
As through its veins warm life began to shoot, 
And it put on each day some beauty new. 
And all the fairer, as I think, it grew, 
Because the streams were tears about its root. 

But now our fruit hangs well within our reach, 
And this indeed is time for gathering. 

It hath the bloom of summer-tinted peach, 
Each charm it hath that any man could sing; 

Yet we, who taste it, whisper each to each, 
" Not sweet, but very bitter, is this thing ! " 



168 MY BIRTHDAY. 




MY BIRTHDAY. 

HIDE not because I doubt who would believe ! 
Has not my life been like that April day 
Whose dawn awoke us with such proud display 
Of mocking glory, kindled to deceive, 
While in the distance low winds seemed to grieve, — 
Winds sad with prophecy, — then skies grew gray, 
And all the morning splendor passed away, 
And dark with rain came on the gusty eve? 

That was my birthday, symbol of my birth, — 
Capricious April's heir, the sport of Fate, 

Doomed to be better friends with Grief thn Mirth, 
To know no love that did not come too late, — 

My only hope, sore spent with life's long pain, 

In some glad morning to be born again. 



SOME ENGLISH OPINIONS 



OF 



Mrs. Moulton's "Swallow Flights/ 



Prof. William Minto, in London " Examiner." 

Such poems as " Swallow Flights " are sure to command 
attention wherever and in whatever form they are read, because of 
their marked individuality and power. 

In this little volume there is no trace of the provinciality of tone 
which has hitherto prevented any American poet from attaining 
the first rank. These verses are fresh, direct, spontaneous, occu- 
pied wholly and earnestly with their subject, without any sideward 
looking or uneasy straining after the methods of other poets; and 
she shows herself possessed of sufficient resource to fill them with 
a rich and pure music of their own. Here in the mother country, 
where we have so many schools of poetry, and so many eminent 
masters and hardly less eminent disciples, it is a pleasure to receive 
from over the seas poems which are so entirely independent of 
them all, and yet so unaffected in their originality. It is, perhaps, 
a good augury for the future of American poetry that the spirit 
with which these poems have most in common is the spirit of the 
forerunners of the great Elizabethan period. They are not at all 
archaic in form, but they deal with the simple, primitive emotions : 



cr- 



and again and again, as we read through them, we are reminded of 
Wyatt and Sydney, and the casual lyrics gathered in such collec- 
tions as " England's Helicon." The following sonnet (" One 
Dread"), for example, apart from a slight difference in the scheme 
of its rhymes, might be passed off as one of the series addressed 
by "Astrophel" to "Stella." 

There is no "poisonous honey stolen from France" here; it 
comes from the English Hymettus. To quote another example, 
the following ("How Long? ") might have found a place by the 
side of Wyatt's "Forget Not Yet." 

To those who have formed their idea of the American poetess 
from the friends and admirers of Elijah Pogram, Mrs. Moulton's 
" Swallow Flights " will be a pleasant surprise. Her language is 
never extravagant ; her " swallows " never mar the beauty of their 
flight by soaring to dizzy heights of the sublime and the fantastic 
ideal. We do not, indeed, know where we shall find among the 
works of English poetesses the same self-controlled fulness of 
expression with the same depth and tenderness of simple feeling. 
The reserved strength of Mrs. Moulton's art is of a kind which 
we have been accustomed to consider peculiarly masculine. George 
Eliot's achievements in the field of imagination have a greatness 
that these humble " Swallow Flights " cannot pretend to, and her 
expression of strong feeling in prose has long been above criticism 
as masterly ; but it may be doubted whether she has ever succeeded 
in expressing the same intensity of feeling in verse of equal fulness, 
and equally free from that taint of over-excitement which is so 
fatal to high art. 

From " The Atheiimwi." 

Mrs. Moulton has a real claim to attention. It is not too much 
to say of these poems that they exhibit delicate and rare beauty, 
marked originality, and perfection of style. What is still better, 



they impress us with a sense of vivid and subtle imagination, and 
that spontaneous feeling which is the essence of lyrical poetry. 
Mrs. Moulton's general vein is sad; but it is plain that the sadness 
is genuine, and not sought after as a stimulant to composition, — 
a motive which seems too prevalent with modern writers, who must 
fancy themselves wretched before they can rhyme. A poem called 
"The House of Death" is a fine example of the writer's best 
style. It paints briefly, but with ghostly fidelity, the doomed 
house, which stands blind and voiceless amid the light and laugh- 
ter of summer. The lines which we print in italics show a depth 
of suggestion and a power of epithet which it would be difficult to 
surpass. 

THE HOUSE OF DEATH. 

Not a hand has liftedthe latchet 

Since she went out of the door; 
No footstep shall cross the threshold, 

Since she can come in no more. 

There is rust upon locks and hinges, 
And mould and blight on the walls; 

And silence faints in the chambers. 
And darkness waits in the hall, — 

Waits as all things have waited 
Since she went, that day of spring, 

Borne in her pallid splendor, 

To dwell in the Court of the King, 

With lilies on brow and bosom, 

With robes of silken sheen, 
And her wonder fid, frozen beauty 

The lilies and silk between. 

Red roses she left behind her, 

But they died long, long ago; 
'T was the odorous ghost of a blossom 

That seemed through the dusk to glow. 



The garments she left mock the shadows 

With hints of womanly grace;" 
And her image swims in the mirror 

That was so used to her face. 

The birds make insolent music 

Where the sunshine riots outside, 
And_ the winds are merry and wanton 

With the summer's pomp and pride. 

But into this desolate mansion, 

Where love has closed the door, 
Nor sunshine nor summer shall enter, 

Since she can come in no more. 

The sonnets are no less spontaneous than the lyrics, and are of 
the same high order of imagination. They differ essentially from 
most modern sonnets, inasmuch as they narrate, or at all events 
imply, a story. "A Summer's Growth," showing how a love ex- 
panding amid all prospering circumstances turns bitter in maturity, 
is an excellent specimen of what Mrs. Moulton can effect in this 
difficult form of composition. 

To persons who judge poetry by essence rather than bulk, and 
who have accepted the truth that the age for epics is past, — that 
we have turned from fabled exploits of heroes and demigods to 
the deeper, if more limited, interests of man in his daily relations 
to life, — this book will be especially welcome. 

From the " Morning Post," London. 

To the critic, weary with disappointments, it is a true pleasure 
to meet with a book which not only professes to be poetry, but 
makes good its profession. Such a book is this of Mrs. Moulton's, 
which displays, throughout, sublety of imagination, delicacy of 
thought, precision of execution, and a depth of genuine emotion 
too seldom met with in these days of artificial sentiment. Mrs. 



5 

Moulton possesses, moreover, the somewhat rare faculty of know- 
ing when to stop. Her felicity of epithet enables her to produce 
striking results with no waste of means. A few graphic touches, 
and we have before us a poem all the more perfect because it does 
not exhaust the subject, but leaves something to the co-operating 
imagination of the reader. "The House of Death," for example, 
contrasts the grief of man with the callousness of Nature with a 
fulness of suggestion and conciseness of method that impress an 
indelible picture on the memory. 

Brief as the poems are which compose this slender volume, 
they yet exhibit great variety of sentiment and treatment. Let the 
reader compare with " The House of Death " the spring carol 
called " May Flowers," and set the brightness and daintiness of 
the one against the almost supernatural suggestiveness of the 
other. 

In a spirit distinct from either of the above is "A Problem," 
which, by its quaint fancy, recalls, though with no sense of imita- 
tion, our earlier English poets. Faultless in conception as in 
manner, " A Madrigal " exhibits that simple but emphatic music 
of rhythm so essential to this form of composition. It it a sigh 
over the mutability of love, — a sigh the pain of which is softened 
by its tenderness. 

The expression of concentrated despair entitled " At The Last," 
evinces once more a distinct phase of emotion. It is hopeless as 
if death itself had been requickened to utter it. The forgiveness 
which it breathes is more terrible than any form of implacability. 

Resisting the temptation to quote further from the lyrical por- 
tion of the book, we pass at once to the sonnets, which, though 
there are but nine of them, deserve especial notice. Excellent in 
construction and vigorous in spirit, they display the condensation 
which we have before praised and which is here of essential value. 



If we interpret them rightly, they form a complete series and 
shadow forth a story. To make the sonnet a vehicle for narrative 
is to turn it to a use novel in our time, though the same purpose 
has to some extent been realized in the "Vita Nuova" of Dante. 
In the hands of Mrs. Moulton, the experiment is successful, though 
it might be somewhat dangerous to regard it as a general preced- 
ent. The first three sonnets, entitled respectively " The New 
Day," " One Dread," and " Afar," show the happiness of new love 
before which old griefs fade out and old joys turn pale. The two 
which follow, under the same heading of " Last Year," strike a 
note of trouble and change which in the sixth and seventh sonnets, 
" First Love " and " Love's Forgiveness," are shown to spring 
from the memory of a former love that recurs to one of the dram- 
atis persona. In Sonnet VIII. " In Time to Come," we see the 
division between heart and heart surely widening. " A Summer's 
Growth," which closes the series, seems to intimate, if read by the 
light of the entire context, that a new love planted on the grave of 
a dead one, though it have brave promise in its spring, may not 
thrive in its maturity. With some difficulty in making a selection 
we give the eighth sonnet, which commends itself to us by a touch 
of irony rather mournful than'bitter, and by a reserved strength 
which develops in its very restraint the passion which inspires it. 
It is truly a noble sonnet ; the suggestiveness of the lines which 
conclude it cannot easily be surpassed. 

Philip Bourke Marston in " London Academy." 

In these days of imitative art, it is refreshing to meet with a 
volume like the present. Mrs. Moulton is an American lady; the 
fact that her work shows no special influence of either American 
or English literature is therefore in itself some proof of tenacious 
originality. The distinguishing qualities of these poems are ex- 
treme directness and concentration of utterance, unvarying har- 
mony between thought and expression, and a happy freedom from 



that costly elaboration of style so much in vogue at present, 
through which lyrical spontaneity cannot penetrate. Yet, while 
thus free from elaboration, Mrs. Moulton's style displays rare 
felicity of epithet. Two poems, entitled respectively, " Morning 
Glory " and " Out in the Snow," are, for instance, brilliant speci- 
mens of word-painting. The first, a description of summer sunrise, 
has in it the very breath and voice of dawn, the strength and fresh- 
ness of glad awakening life ; the second, which paints a winter 
morning, has all the keenness, yet all the exhilaration and glory of 
frosty air and of sunlight upon snow. 

These examples, with others equally healthy in tone and vigor- 
ous in execution, show that when Mrs. Moulton writes sadly, her 
sadness is not of necessity, is neither sentimental nor artificial, 
but only the natural outcome of a nature equally sensitive to 
pleasure and to pain, and endowed with unusual capacities for 
enjoying or suffering. Nor is her melancholy merely that of self- 
reference. As a rule, it has its source in sympathy with man in 
general, and takes tender note of the perplexities and sufferings 
which belong to his condition. 

The poetical faculty of the writer is in no way more strongly 
evinced than by the subtlety and suggestiveness of her ideas. In 
a poem where she speculates on what may be the condition of 
men and women after death, she speaks — 

" Of the deep grave's delights, 
Where through long days and nights 
They hear the green things grow — 

Cool-rooted flowers that come 
So near to that still home, 

Their ways the dead must know — 

And shivers in the grass, 
When winds of summer pass, 
And whisper as they go 



8 

Of the mad life above, 

Where men like masquers move ; 

• Or are they ghosts — who knows ? 

Sad ghosts who cannot die, 
And watch slow years go by 

Amid those painted shows ? " 

This intimate association of the dead with the mysterious and 
hidden life of Nature is an idea which could only have occurred to 
a true poet. Not less imaginative is the fancied confusion of life 
with death in which both become equally unreal and phantasmal. 

These poems have another and rare merit, with all their imagi- 
native force: they are pervaded by the depth -and sweetness of 
perfect womanhood, and entirely free from that trick of mannishness 
into which intellectual women are sometimes betrayed. They re- 
veal, at times, the strength of passion ; but it is always passion 
transfigured by love. Sometimes the feminine nature asserts itself 
by a mournful irony, subtle as the most delicate aroma. 

We have but brief space to speak of the sonnets. They are 
excellent in construction as in spirit. 

This volume will appeal primarily to poets ; but its unstrained, 
simple beauty of thought and expression will surely win for it a far 
wider audience. 

From the " Siinday Times" London. 

Here is something more than the gentle and pensive thought, 
the humanizing aspiration, which constitute the soul of much 
poetry from feminine sources. These qualities indeed are there ; 
but there is, in addition, a measure of poetic insight, and a power 
of bringing into sympathetic accord human aspirations and the 
beauty of exterior things, which is one of the rarest and most 
precious gifts of the poet. The volume is sure of a warm welcome 
wherever a love of true poetry is found. 



